Joe Peshy played Tommy Devito small 5’4 hair sllicked back a coiled thing that exploded sideways when the room got quiet. You’ve watched him for 35 years. You can hear the laugh. You can hear the funny how rhythm. You know exactly how he died. Clean room, single shot, face ruined so his mother couldn’t have an open coffin.
The man underneath that character was 6’2 and weighed roughly 225 lb. He killed an estimated 11 people. His grandfather ran the Los Angeles crime family. His uncle ran it after him. He beat the women he dated as a pattern and the man whose sister he beat, a soldier in John Gotti’s crew, he killed too with three shots to the face on his own doorstep.
The film never told you about that one. The film never told you Tommy Desimone was bigger than the men around him. The film never told you he came from American mafia royalty going back two generations. And the film never told you that when the Gambinos finally came for him on January 14th, 1979, the killing the movie tells you about, the one that took 9 years to come due, was the reason that mattered least.
This is who he actually was. This is what he actually did. And this is why the pesy version is the smallest version anyone has ever told. Most people who love good fellas have never read Nicholas Pelly’s Wise Guy. They’ve watched the film 20 times and never opened the book. That’s the gap this works inside.
Paley gave Scorsesei a documented man 6’2. The looks of Errol Flynn, 11 murders, a knife collection under his bed. Scorsesei gave the audience Joe Pichi. The two versions overlap on three killings: bats, spider, stacks, and diverge on almost everything else. The making ceremony, yes. The body and the trunk mostly.
The trigger man, no. The reason, deeper than the screen ever went. Tonight you get the documented man, the woman he beat that nobody named on screen, the killing they caught, the heist that turned him from valuable into disposable, and the basement where his bones may have come up and may not have been his. The film ended in a clean room.
The real story ended somewhere nobody can show you. He was born on May 24th, 1950 in Cambridge, Massachusetts. Most published sources agree on that date. A late edit on his Wikipedia page lists 1946 in South Ozone Park, but every researcher who’s worked the timeline puts him at 28 when he disappeared, which makes 1950 the defensible answer.
He was declared legally dead in 1990. The 11-year gap between the disappearance and the declaration is its own quiet sentence about how thoroughly he was erased. The Desimone name was the first thing the film flattened. Tommy wasn’t a Brooklyn nobody who climbed into Paul Vario’s orbit. He was the third generation of an American mafia dynasty.
His paternal grandfather, Rosario Desimone, born in Salaparuta, Sicily in 1873, became boss of the Los Angeles crime family in 1922. His paternal uncle, Frank A. Desimone, they called him one eye, was a University of Southern California law graduate, an actual attorney who was disbarred for criminal activity, and he ran the Los Angeles family from 1956 until his heart attack on August 4th, 1967.
Frank was one of the men photographed running from the Appalachin meeting in November of 57, the convention that broke the FBI’s denial that an Italian mafia even existed in America. Tommy’s family had been at the table when the table itself became visible. Two of his brothers were Gambino associates. Anthony Desimone, Tommy’s older brother, was murdered in 1979, reportedly by Gambino soldier Thomas Agro, reportedly for becoming an informant.
Robert Desimone went to prison for life. His sister Phyllis was Jimmy Burke’s mistress from age 16. Catherine Burke, Jimmy’s daughter, married Anthony Bruno in Delo years later in a federal prison ceremony at Terote. The wires running through this family were not the wires the audience saw on screen. Then there was the body. Felli described him as a tall man with the looks of Errol Flynn.
Henry Hill in interviews tied to the 2015 book The Luanza Heist called him a big burly enforcer, standing 6’2 and weighing 210 lb. He was terrifying. Other sources put him closer to 225. Either way, the man was the size of a defensive end. As a teenager, he trained boxing, weights, a gallon of whole milk a day.
His sister later described an animalistic appetite, and a short fuse. There was a knife collection in a cigar box under his bed. There was a 38 he carried in a paper bag. Hills. Quote, “Walking down the street, he looked like he was bringing you a sandwich instead of a 38.” Joe Pesy is 5’4. The math on that is not subtle. The man you’ve been watching since 1990 is exactly 1 ft shorter than the man he played.
But the wrong size is the smaller problem. The bigger problem is what the wrong size does to the psychology of the character. Peshi’s Tommy reads as a small man overcompensating. Every explosion comes from beneath. The viewer interprets the violence as fragility weaponized. The documented Desimone was the opposite. He was a physically dominant predator who didn’t need to overcompensate for anything.
The violence came from above, not below. He wasn’t the runt punching up. He was the bigger man punching down. That’s not a costume change. That’s a different human being. He married Angela Cookie Spion in 1975. Henry Hill called their place a two- room tenement slum, which is a strange detail given Tommy’s wardrobe and his cars.
He spent on appearance and lived in nothing. There’s a clue in there about who he actually was, about what the money meant and what it didn’t. And the film didn’t have time for any of it because the film cut Cookie entirely. On screen, the audience watches Henry and Karen needle Tommy about settling down. In reality, he had been married for years. Hold that detail.
We’ll come back to her on January 14th when she’s the one who reports him missing. There’s a killing that explains the rest of him, and we’ll get to it. It’s the one the film cut, and it’s the one with the sister. There’s a heist still 9 years away in his future, and we’ll get to that, too. It’s the heist that turned him from a man Paul Vario protected into a man Paul Vario gave up.
And there’s a basement in South Ozone Park where bones came up out of the floor in 1980. And to this day, no one can prove they were his. The whole story ends there. Henry Hill counted 11. That’s the number worth holding against the film. 11 murders attributed to Tommy Desimone in Paley’s book.
Four of them allegedly committed during stretches Tommy spent in prison. The film shows you three clearly. Bats, spider, stacks, Edwards by implication. Eight others didn’t make the cut, and the pattern in those eight tells you what kind of man you were actually watching. The first one, per Hill, was in 1968. A man named Howard Goldstein, a complete stranger, shot dead on a Brooklyn street while Tommy and Hill were walking past.
Hill objected. Tommy looked at him and said, “Well, I’m a mean cat.” That was the explanation. Goldstein was target practice for a new gun and a sentence to a friend. The film could have opened with that scene. The film didn’t. Dominic Remo Cersani was Jimmy Burke’s best friend. Tommy strangled him with piano wire in the back of a car and buried him by the botchi court behind Robert’s lounge.
Not a stranger, not a rival. Jimmy’s best friend killed by Jimmy’s enforcer at Jimmy’s bar. The film keeps Robert’s Lounge as a backdrop and never tells you what was under it. William Reau was a Teamsters’s foreman in Jersey City. In September of 1970, Tommy and a man named Stanley Diamond were sent to rough him up.
They shot him dead instead at 7:00 in the morning as he was leaving his house for work. Tommy didn’t escalate when he was angry. He escalated when he was assigned to do less. The assignment was scare him. The result was a man died on his own front step at breakfast. And then there was Spider.
Michael Spider Giano, the kid who worked at the card game, the one Tommy shot in the foot and then later killed for talking back. The film gets that scene almost exactly right. The Crown Royal bag. Burke ordering Tommy to dig the hole himself. the way the violence detonates over nothing. The one thing the film gets right is also the one thing the documented record can’t fully confirm.
There’s no birth certificate, no missing person’s report, no independent paper trail for a Michael Gianco matching that description. Excavations at the locations Hill named never produced an identifiable body. Some mafia historians believe Hill invented him or composed him from someone else. The most cinematic Tommy murder on screen may be the only one we can’t actually source, which is its own correction.
The film’s most accurate scene may be the film’s least documented event. Before I get to the killing, the movie cut entirely. the one that doubled the made man problem and tied Tommy’s violence toward women directly to the men who eventually killed him. I want to ask you something. With 11 documented murders to choose from, Scorsesei kept three.
Why those three? Why did a stranger on the street stay out and a kid in a card game stayed in? I think the answer says something about what the film was willing to make you feel about this man and what it wasn’t. I’d be curious where you land on that. Let me know. If you cut one murder out of the film and want to know why he really died, this is it.
December 18th, 1974. Ronald Foxy. Jerathy, a soldier in the Bergen Hunt and Fish Club. John Gotti’s crew. Gotti’s personal favorite. Tommy had been dating Foxy’s sister. He had been beating her. Foxy threatened him, told him to stay away from her or there would be consequences. Tommy went to Foxy’s apartment, knocked on the door, and when Foxy opened it, Tommy fired three rounds from a 38 into his face. That’s the pattern.
Hold it in your mind. Tommy dates a woman. Tommy beats her. The man who objects to that brother, husband, friend, ends up dead. Foxy is the cleanest, most documented version of that sequence. But it’s not an isolated incident. It’s a documented behavioral mode. And it’s the killing that explains why 9 years later, the Gambinos finally pulled the trigger.
Most people who’ve watched Goodfells a dozen times remember the made man rule from the film. You kill a made guy without permission, you die. The film attaches that rule entirely to Billy Bats. Bats was a soldier with the Gambinos. Tommy beat him to death. Years later, the Gambinos came due. That’s the version on screen.
That’s the version most viewers carry around in their heads. The documented version is different. The Gambinos had two grievances against Tommy Desimone, not one. Bats in 1970 and Gerro in 1974. Both unsanctioned. Both killings of men inside the same family. Gerro wasn’t a peripheral figure. He was a goddy protetéé killed at his own door over a woman Tommy had beaten.
The Gambinos didn’t wait 9 years to avenge a single insult. They waited 9 years to act on a double defense. And they waited because they didn’t have ironclad proof on the first one. And they were strategically allied with the Luces on the second. The film cut Foxy entirely. No mention, no reference, no flashback.
The audience watches Tommy die at the end of the film, believing Billy Bats is the only made man he killed. That’s the central correction. That’s the killing without which none of the rest of the death scene makes sense. The Shinebox line everybody quotes Paley never wrote it.
That’s the first thing worth fixing about the killing the film did keep. The line now go home and get your [ __ ] shine box exists only in Scorsese screenplay. What Paley recorded in Wise Guy was something different. At Billy Bats’s welcome home party at Robert’s Lounge, Bats ribbed Tommy about his old shoe shine job. Tommy had genuinely worked as a shoe shine boy as a kid.
Tommy turned to Henry and Jimmy and quietly said, “I’m going to kill that fuck.” That was it. No explosion, no movie line, just a sentence with two weeks of fuse on it. In the film, the insult and the killing happened the same night. In reality, they were two weeks apart. The film compresses time the way films do, but the compression matters here because what the film makes look like rage was actually rehearsal.
Tommy had two weeks to walk it back. He didn’t. William Joseph Bentana born February 22nd 1933 made under Capo Carmine Fatiko around 1961 the same crew that would later produce John Gotti. He served roughly 8 years on a 1962 heroin conviction alongside Carmine Galante. He was released from the federal prison at Danbury on June 9th, 1970.
He was dead 2 days later. The killing happened at the sweet Henry Hills nightclub on Queens Boulevard. Tommy left, went and got a plastic mattress cover. A small detail the film drops and a small detail that tells you the killing was planned. Came back and as Jimmy locked Bats’s neck from behind, Tommy pistolhipped him with a 38, screaming, “Shine these [ __ ] shoes.
” They wrapped Bats in the mattress cover, dragged him out, and put him in the trunk of Henry’s car. Then they drove to Tommy’s mother’s house. Camila Desimone gave her son a knife, lime, and a shovel. She didn’t ask why. They drove north on the Taconic State Parkway. From the trunk came banging. Bats was still alive.
They pulled onto the shoulder, opened the trunk, and finished him with a tire iron and the shovel. 3 months later, the property where they buried him was being sold to developers. Henry and Tommy drove back upstate, dug up the half decomposed body, and loaded it into the trunk of Henry’s new yellow Pontiac Catalina convertible.
Henry later junked the car. The body per paley went to a New Jersey junkyard owned by a man named Clyde Brooks into a mechanical car compactor. On the Goodfell’s DVD commentary years later, Henry changed the story and said the body went first to the basement of Robert’s Lounge. He changed a lot of stories over the years.
Remember that basement? It comes back at the end. There’s a motive the film cuts that explains why Tommy’s I’m going to kill that [ __ ] landed where it landed. While Bats was in Danbury for those 8 years, Jimmy Burke had absorbed Bats’s lone sharking operation. Bats came home in 1970 expecting to get his business back.
According to multiple sources, he had approached crazy Joe Gallow to help him pressure Burke. The shoe shine ribbing wasn’t the motive. It was the spark. The motive was money. The same motive that explains most of the killings the film romanticized into questions of honor. And while we’re correcting the film, here’s the second thing worth saying, the funny how scene.
The single most famous Joe Peshy moment in American cinema, the one every Goodfella’s fan can quote from memory, was not a Tommy Desimone story. Peshi pitched it to Scorsesei during rehearsal as something that had happened to him personally during his waiter days with an unnamed mobster who terrified him over a comment about being a funny guy.
Scorsesei liked it, inserted it without rewriting the script, ran two or three takes, and deliberately kept the other actors at the table in the dark about how the scene would play so their alarm would be real. The defining moment of the on-screen Tommy is technically Joe Peshy’s memory of being scared by somebody else.
The audience has spent 35 years quoting a scene that has no documented connection to the man it was supposedly about. Here’s where the record goes thin. There is a story that has been circulating since 2004. The story is this. While Henry was in prison from 72 to 78 on the Tampa extortion charge, his wife Karen was having an affair with Paul Vario, Tommy’s capo.
Tommy, the story goes, made advances on Karen in Henry’s absence, was rebuffed, and beat her in an attempted rape. Vario found out. Bario, Karen’s lover and Tommy’s boss, confirmed the bats and Gerroi killings to the Gambinos and effectively delivered Tommy’s death warrant. It’s a powerful story. It explains everything the standard account doesn’t quite explain. And it has one source.
Henry Hill in his 2004 memoir, Gangsters and Good Fellas, 15 years after Tommy disappeared, 9 years after Pelgi’s wise guy made him famous. Paleggy’s book doesn’t contain the claim. Hill’s FBI debriefings, as far as researchers have been able to trace them, don’t contain it either. Karen Freriedman Hill has never confirmed it in any interview that’s been located.
The only published corroboration came from Sal Pissi in 2014, and Pisi explicitly credits Hill as his source. So, what looks like two sources is actually one source repeated. Hill himself said he learned of the assault long after the fact, which means even his version of the story is hearsay. Hill also changed his account of Tommy’s death repeatedly over the decades.
At one point, telling Howard Stern that Gotti killed Tommy personally and slowly. At another point, describing three silent shots in a Bronx basement. A man who changes his story about the manner of a death changes his weight as a witness. So, what do you do with a claim like that? You don’t pretend it’s documented when it isn’t.
You also don’t dismiss it because there are reasons to take it seriously. Tommy demonstrably beat Foxy Girothy’s sister. That’s in Pelagi, not just Hill. And it establishes the behavioral pattern as real. The Karen Vario affair is widely accepted among mafia historians. Vario had been separated from his wife Vita since 1965 and openly lived with a girlfriend named Phyllis Dioanzo.
The mechanism of the hit itself is the strongest evidence Vario personally signed the warrant. Tommy was lured by Bruno Fatiolo and by Peter Vario, Paul’s own son. A father doesn’t send his own son to lure a man unless that father has personally made the decision. The defensible conclusion is this. The Gambino retaliation framework accelerated by Lufansa is necessary and largely sufficient to explain Tommy’s death.
The Karen Hill assault, if it happened, may have tipped Bario’s personal calculus. It is plausible. It is uncorroborated. It is single source informant testimony from a man with the documented habit of revising his stories told for the first time in a commercial memoir 25 years after the events. Never confirmed by the woman it allegedly happened to.
And one more inconvenient detail, Paul Vario himself was convicted of rape in 1937 and served time at Singh. The popular framing of Vario as some kind of moral protector of women is itself historically incoherent. Whatever moved him to give Tommy up, it wasn’t principle. That’s an honest read, plausible, single source, possibly contributing, not necessary.
The audience deserves to know which parts of the story are documented and which parts rest on the word of one man. Tommy lived 9 years after Bats. He didn’t live 3 weeks after Lufansza. December 11th, 1978, approximately 3 in the morning at the Lufansza cargo terminal at John F. Kennedy International Airport. Approximately $5 million in cash and $875,000 in jewelry, the largest cash robbery in American history at that point.
Jimmy Burke organized it. Tommy worked it. So did half a dozen others. Within days, a cargo worker named Carrie Whan, one of the men who’d been at the terminal during the robbery, looked at a mugsh shot lineup and picked out Tommy Desimone. He picked him out, according to subsequent reporting, because of the shoes.
Tommy’s shoes had been too polished for the work coveralls he was wearing during the heist. The shoe shine boy, who’d never quite stopped being a shoe shine boy, had given himself away by buffing his footwear before robbing an airport. Burke understood immediately what a witness identification meant. He started clearing the ledger.
Stax Edwards, the driver who’d failed to scrap the getaway van, was killed on December 18th. Marty Krugman, who had brought the inside tip on the cargo terminal, disappeared around January 6th, 1979. Terresa Ferrara, mistress of one of the crew, was killed February 10th. Her dismembered torso washed up at Barnagot Inlet, New Jersey on May 18th.
Joe Manri, Paulo Liccastri, Lewis Capora gone one after another over the next several months. The economics of protecting Tommy had inverted. Before Lufansza, Tommy was a heavy earner with the Gambino problem the Luces could manage. After Lufansza, Tommy was a federal liability who had been identified by a witness whose history of unsanctioned killings was about to be discussed in front of grand juries and whose continued existence threatened Burke, Vario, and the Lucesi alliance with the rising goddi faction of the
Gambinos. The Gambinos had been waiting for the political moment. The political moment had arrived. Paul Vario didn’t kill Tommy for Billy Bats. He killed Tommy because keeping him alive had become more expensive than letting him die. That’s the costbenefit flip that ended a 9-year stay of execution. The film makes the killing feel like ritual justice catching up with Tommy at last.
The documented record makes it feel like a balance sheet. If you’ve been following this far and want me to keep doing it this way, pulling the real men out from under the characters they became, a subscribe goes a long way. That’s all. Back to it. January 14th, 1979. He put on a Bill Blass suit, double- breasted, blue shirt, silk tie.
He had been told he was being made into the Lucesy family. After 9 years of being the muscle, he was being promoted to the family that owned him. He combed his hair. He kissed Cookie. He left the apartment. The car that picked him up contained Bruno Fatiolo and Peter Vario. Peter was Paul Vario’s son. That single fact that the capo sent his own son to deliver his most useful enforcer to a death the enforcer didn’t see coming is the strongest documentary evidence that Paul Vario personally signed the warrant. You don’t send your
son to a working hit unless you have personally made the call. Jimmy Burke wasn’t in the car. Jimmy was in Florida and Henry Hill was with him. The phone booth scene in the film. Jimmy taking a call, hearing the news that Tommy is dead, smashing the phone against the booth, is rendered largely as Hill described it.
The code phrase, according to Hill, was about whether Tommy had seen his godmother. He hadn’t. He never would. Where Tommy went after he got in that car and who pulled the trigger when he got there are two questions the documented record cannot definitively answer. Henry Hill told the story at least four different ways across 30 years.
Paleggy’s wise guy 1985 says only that the Gotti crew killed him. Location unknown. Hill on Howard Stern in May of 2007 said John Gotti personally killed Tommy and that the killing took a long time because bats had been God’s friend. Hill in the Lufansza heist in 2015 described the killing in the basement of a place he called Donvito’s restaurant on Arthur Avenue in the Bronx.
With Gotti firing three silenced rounds, Hill made the sound himself. Pa and Tommy dead instantly. That’s the opposite of the slow torture he’d described to Stern 8 years earlier. Joe Joe Dogs Iani wrote in his own memoir that Gambino soldier Thomas Agro privately bragged in 1985 that he’d killed Tommy and also Tommy’s brother Anthony and joked about completing a decim trifecta by adding Robert Salissi’s 2014 book has agro killing Tommy with goddi watching the torture.
A man named Greg Bukaroni gave Den of Ggeeek a different version entirely. Burke killed Tommy at his own Howard Beach home and shipped the body to a scrapyard in Kensington, Philadelphia through associates of Richard Klinsky. Buton’s account has been challenged by other organized crime journalists and by former Gambino capo Michael Mikey Scars Deleonardo who said flatly that during his entire time inside the Gambino family he never heard a single word linking God to Tommy Desimon’s killing. Three versions, four
versions. Five. The audience has watched Tommy die in a clean room. They have an image in their head. The empty space, the gunshot, the way the camera holds. None of the documented records matches that image. The killing took place somewhere, but it is not in the public record. The trigger was pulled by someone, but the someone is genuinely unresolved.
The cleanest synthesis offered by mob journalist Ed Scarpo in a careful 2015 piece is this. Luces soldiers delivered Tommy. Gambino aligned figures killed him. Whether the trigger man was Gotti, aggro, both, or someone else entirely, no one can definitively prove. That’s the death scene. That’s what we have.
The film gave you a finite ending because films need finite endings. The record gives you a basement that could be in the Bronx, a restaurant that may or may not have been called Don Vetos, a shooter who may or may not have been John Gotti, and a body that has never been recovered. Of the versions on the table, Goddi himself, Agro alone, Agro with Gotti watching, Burke at home.
Which one do you find most credible and why? I genuinely like to know. The script doesn’t pick an answer because the record doesn’t. He was 28 years old and after the basement he was nothing. Cookie reported him missing. Her brother Joseph the barber spion a lazy affiliated mobster himself was killed soon after.
Period because he had refused to help lure Tommy to his death. The grief of a wife became the grievance of a brother, and the brother became another body in the same ledger. In June of 1980, investigators dug up the basement of Robert’s Lounge at 1 1445 Leards Boulevard in South Aone Park. They recovered a human leg bone and a partial shoulder bone.
They were believed to belong to Tommy Desimone and to Marty Krugman, but the identifications were never definitively confirmed. In June of 2013, the FBI excavated the basement and yard of Jimmy Burke’s old home at 81-48 102nd Road, also South Ozone Park. They recovered material described publicly as inconclusive. The dig was reportedly aimed at finding Paul Catz, not Tommy.
Tommy was declared legally dead in 1990. His grave on the Find a Grave website carries no plot, no headstone, no cemetery. The entry reads simply nonseemeter burial. The men who made him survived him by years. Paul Vario died on May 3rd, 1988 at the Federal Medical Center in Fort Worth, Texas of respiratory failure compounded by chronic obstructive pulmonary disease. He was 73.
He was serving sentences for defrauding the federal government and for extorting more than $350,000 from air freight companies at Kennedy Airport. Both convictions secured by Henry Hill’s testimony. He is buried at St. John Cemetery in Middle Village, Queens. Jimmy Burke died on April 13th, 1996 of cancer at Roswell Park Cancer Institute in Buffalo. He was 64.
He was serving 12 years for the Boston College point shaving scheme and 20 to life for the murder of Richard Eaton. He is buried at St. Charles Cemetery in East Farmingdale alongside his son Frank, who had been killed by a drug dealer in 1987. Henry Hill died on June 12th, 2012 in Los Angeles, one day after his 69th birthday, of complications from heart disease compounded by a lifetime of heavy smoking.
His partner, Lisa Cacera, told the Associated Press he had been sick for a long time. His heart gave out. He went out pretty peacefully for a good fella. Karen Freriedman Hill, born January 16th, 1946, filed for divorce from Henry in 1989 and finalized it in 2002. She has lived under an alias since their expulsion from witness protection in 1987 after Henry’s Seattle cocaine conviction.
She has never published a memoir of her own. The closest published version of her voice came through the 2004 book her children Greg and Gina wrote On the Run: A Mafia Childhood. The single line from her most often quoted in the years that followed was not about Tommy. It was about what came after the life ended. When we went into the witness protection program, I thought it was the worst situation that could ever happen to us.
I was wrong. What happened to me and my children in the 10 years that followed was worse. The suite is gone. Robert’s Lounge is a Caribbean restaurant now called GT Mob at 1145 Lefforts Boulevard, South Ozone Park, Queens. People walk past it. People eat in it. The kitchen sits on top of a basement where investigators once recovered a leg bone and a partial shoulder bone that may have belonged to a 28-year-old man named Thomas Desimone or may not have.
The basement is still there. The bones, wherever they went after the lab, are no longer evidence in any open case. The man who came out of that earth, if he was the man who came out of that earth, was never given back to his family, never buried, never marked. The on-screen Tommy died in a clean room. The film closed the loop. The real Tommy disappeared into a building in Queens that today serves jerk chicken.
And the only documentary trace he left was a leg bone of disputed provenence and a find a grave entry that contains three words, nonseemeter burial. He was bigger than Peshi. He killed more than bats and spider and stacks. He came from a family that ran a coast. He beat the women he dated and he killed at least one man who tried to stop him.
He died on a day his wife reported him missing in a room nobody can name by a hand. Nobody can prove. The film made him small because small was easier to watch. The record made him bigger and worse and gone. And the basement is still there under the restaurant on a street in South Ozone Park where the cars still pass.
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